14 October, 2011

FRINGE 4.04 - Pacey Poof part 4

If you haven't seen the latest episode of FRINGE, stop reading NOW!

OK, so... Pacey Poof, aka Peter Bishop, is still missing and baddaboombaddabing... an episode happens!

Let me just start off by saying that I am a fan of this type of episode. There is no case-of-the-week and instead we happen onto a case based on something related to the characters. This is of course something that half of season 2 and most of season 3 was full of and why I am still watching the show. Therefor, I am predisposed to digging this one right out of the gate.

Walter and Olivia are both invested in discovering who this man is they are either seeing or dreaming about, especially when Olivia is visited by a blue orb or energy that arm rapes her. Meanwhile, there is a bullshit side story about whether or not Olivia will fuck Walter over and toss his limey arse back in the nut house. She won't. Spoiler?

Anyway, so the main story takes Olivia and Walter onto some ridiculously convenient path that results in some dude with the EXACT FUCKIN' POWERS NECESSARY TO BRING PETER BACK to be mistakenly thought to be the cause of the blue orb arm-raper phenomenon. He reveals he is not the dude causing the blue shit but that he is happy to wax emo about what Walter did to all the super duper special kids way back in the olden days of 1998 or some shit, when cell phones, the Internet, and handheld computing devices hasn't been invented... (or had they?! tune in next week!).

But I digress. So, Walter brings them to some power station blahblahblah proper-amount-of-suck and PETER IS BACK!

This is actually where the episode gets really fuckface interesting and I realize just how much this show blows poo-bubbles when Pacey Poof isn't around. The second we have even a hint of him, the show is awesome again. And then it fuckin' ends!

Next week, why doesn't anyone remember Peter and how will they finally remember him? I promise you one thing, we won't find out next week (since there is a two week break). Oops, that's like a fuckin' paradox, yo.

COMMUNITY rocked Thursday with SEVEN timelines! FRINGE had a bit of trouble with one this week, but in the end, it was mostly satisfying to see my hetero-life-mate return.

Were I to rank this episode, I would give it:


84 out of 100

It could have been better if not for the terribly contrived plotting that brought Peter back.



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COMMUNITY 3.04: Remedial Chaos Theory... oh the madness!

Last night's killer episode brought us not one, not two, not three, not.... BUT SEVEN TIMELINES of awesomeness! This was easily the best episode of season 3 and arguably (we shall let time decide these things) a top 3 episode of the series.

There has been some debate between critics, fans, and douchefucks who smear monkey shit all over their bodies before putting their come-stained pudgy donut-grasping sausage-sized fingers on their perpetually sticky-from-projectile-launching-sweat-gland-deposits and opine their diabetic-coma diatribe all over the Internet assclowns, about the quality of this latest season. The writers answered that debate with a nuclear bomb of genius!

Let's cut to the chase, the episode is based around a party at Troy and Abed's new apartment. The study group members show up and eventually the pizza guy rings the doorbell. Jeff, in his infinite manipulative laziness, comes up with a way to decide who has to go downstairs to receive the yummies, by rolling a single dice. Seven people around a table... six sided dice? Hmmmm. Oh, Jeff!

As Jeff starts to roll, Abed points out that he is creating six different timelines. Jeff mocks the notion and rolls. The show then takes us on this epic ride!

Note: first timeline is not bolded since it is the first time happening. Subsequent timelines have bolded text to indicate a change from Timeline 1 or a significant change in the other timelines. Italics are used when a change in the timeline created a small change or when the timeline sequences have been exited.

Timeline 1 - Roll is 2: Annie
Britta puts on Roxanne by the Police; Pierce talks about having sex with Eartha Kitt in an airplane bathroom; Shirley checks on her personal sized pies; Britta starts to sing and Jeff stops her; Britta asks to use the bathroom and Abed shows her where it is; Troy finds Annie's gun in her purse; Pierce gives Troy a "housewarming gift"; Jeff gets up and hits is head in the ceiling fan, Pierce laughs; Shirley brings the pies to the table; Britta comes out of the bathroom and Abed is waiting in front of the door, and tells her that it smells weird inside; Annie arrives with the pizza and Britta rushes dramatically over to the food; Annie mentions that the pizza guy was super creepy.

Timeline 2 - Roll is 4: Shirley
Britta puts on Roxanne by the Police; Jeff reminds everyone to not eat Shirley's pies; Jeff says he doesn't like being the bad guy, then as Britta starts to sing, he stops her; Britta asks to use the bathroom and Abed shows her where it is; Jeff talks about not enabling Shirley's baking; Pierce talks about having sex with Eartha Kitt in an airplane bathroom; Pierce gives Troy a "housewarming gift"; Troy is horrified to find the gift is a troll statue; Jeff laughs, then gets up and is hit in the head by the ceiling fan, Pierce laughs; Annie offers to look at the injury in the bathroom; Britta and Abed are ending their conversation in the bathroom; Shirley shows up with the pizzas; Britta rushes dramatically over to the food; Shirley asks if anyone remembered to take out her pies; Shirley pulls out her pies and they are all burnt; Jeff tells her she is not allowed to have baking things as an identity; Shirley yells at the group and storms out; upon slamming the door, the rolling rock in the Indiana Jones miniature begins to roll; Abed catches the rolling rock.

Timeline 3 - Roll is 3: Pierce
Britta puts on Roxanne by the Police; Pierce talks about having sex with Eartha Kitt in an airplane bathroom; Shirley checks on her personal sized pies; Britta starts to sing and Jeff stops her; Britta asks to use the bathroom and Abed shows her where it is; Annie tells Troy she loves his place and that he's "all grown up now"; Jeff mocks Troy's maturity and Annie laughs with him; Troy gets up in anger and hits the Indiana Jones miniature, releasing the rock; Abed catches the rolling rock; Britta has her head out of the bathroom window smoking a marijuana cigarette when Troy knocks; Troy enters the bathroom and tells Britta he is a man; Annie tells Jeff he is a bit hard on Troy; Jeff gets up and hits is head in the ceiling fan; Annie offers to look at the injury in the bathroom; Abed tells them that Britta is in the bathroom; Annie and Jeff enter the kitchen where Shirley is taking out her pies; Annie and Jeff flirt and Shirley offers pie as a remedy which Jeff saarcastically shoots down; Britta and Troy talk about why Jeff is mean to him and that Jeff has a guarded personality; Pierce returns with the pizzas and mentions how unattractive the pizza guy was; Britta and Troy share a happy moment together while everyone else notices their bond and are puzzled.

Timeline 4 - Roll is 6: Britta
Pierce talks about having sex with Eartha Kitt in an airplane bathroom; Shirley checks on her personal sized pies; Abed remains at the table with Jeff, Troy, and Annie; Jeff gets up and hits is head in the ceiling fan, Pierce laughs; Annie takes Jeff into the bathroom to look at his injury; Troy and Abed have a friendly conversation; Pierce gives Troy a "housewarming" gift; Jeff and Annie talk about her safety and how much Jeff cares about her; Troy screams and Jeff and Annie rush into the livingroom to find Pierce holding the troll, taunting a terrified Troy; Shirley interjects, followed by Abed commenting on why Pierce is behaving this way, and Pierce calls Abed crazy; Britta shows up with the pizza guy and tells the group they are in love and getting married.

Timeline 5 - Roll is 1: Troy
Troy rushes out of the apartment and slams the door, starting the rolling rock in the Indiana Jones miniature, Roxanne by the Police is already playing; Pierce talks about having sex with Eartha Kitt in an airplane bathroom; the rolling rock falls to the floor; Shirley checks on her personal sized pies; Britta starts to sing and Jeff stops her; Britta asks to use the bathroom and Abed shows her where it is; Jeff gets up and hits is head in the ceiling fan, Pierce laughs; Annie tells Jeff she will look at his injury in the bathroom; as Annie begins to walk she trips over the rolling rock, her purse goes flying as she falls on a nearby table and launches the content of the table onto the floor, breaking a bottle of alcohol; Pierce kicks the "housewarming gift" as the gun in Annie's purse fires, hitting Pierce in the thigh; Annie tries to apply first aid to Pierce as blood spurts out of his leg, hitting Shirley in the torso and face as she walks into the room with her pies; Britta comes rushing out of the bathroom with a lit marijuana cigarette in her mouth, opens her mouth wide in shock at what she sees and the cigarette falls onto the alcohol spill and lights on fire; the gift box is set on fire and Jeff tries to put out the apartment fire; Troy walks in with the pizzas and sees the carnage, then notices the now burnt box contains the troll he fears and reacts in horror.

Timeline 6 - Roll is 5: Abed
Britta puts on Roxanne by the Police; Abed tells everyone he needs money for the pizzas; Pierce talks about having sex with Eartha Kitt; Shirley checks on her pies without saying so; Britta starts to sing and Jeff stops her; Britta asks to use the bathroom and Troy tells her it is down the hall; Jeff hits his head and Annie offers to look at it in the bathroom but Troy reminds her that Britta is in there; as Britta smokes, Annie and Jeff go into the kitchen where Shirley has just taken out her pies; Britta comes out of the bathroom and asks what smells so amazing; Shirkey excitedly reacts by taking the pies to Britta and letting her eat one; Pierce gives Troy a "housewarming gift"; Troy thanks Pierce and then expresses his gratitude over letting him stay with Pierce when he was without a place to live, while Shirley expressed to Britta that she feels baking is her only value to the group and Jeff tells Annie he worries about her; Pierce, feeling guilty, tries to prevent Troy from opening the gift; Britta mistakenly confesses that the group made a pact not to eat Shirley's pies, and that she is high, while Annie and Jeff kiss in the kitchen; Pierce and Troy fight over the gift while Britta and Shirley argue about drugs and pies, while Jeff and Annie kiss; Annie admits something Jeff said reminded her of her dad and Jeff judges her on lip-gloss use; Troy sees the troll and yells at Pierce to die alone, as Abed shows up with the pizzas.

Timeline 7 - Roll is stopped by Abed
Abed gives a speech about randomness/chaos etc, talking about everyone in the group and then pointing out the Jeff's system of choosing who goes for pizza made it so he never has to go; Jeff proudly laughs as the group reacts with different levels of disgust; Britta puts on Roxanne by the Police; Jeff goes to get the pizzas and says "Like it matters who goes", then hits his head on the ceiling fan as everyone laughs; Troy uses airplane bathroom as a metaphor for Jeff but Pierce does not take the opportunity to talk about Eartha Kitt; Shirley goes to get her pies; Britta sings Roxanne and the group joins her in dancing and singing; Pierce tosses the "housewarming gift" out of the window; Jeff returns with the pizzas and notes that the fun the group is having is what happens when he is not around, then eats pizza while he watches the group have fun.

Episode Ending - Based on Timeline 5
Pierce is dead; Annie is in a mental hospital; Jeff is missing an arm; Shirley is an alcoholic; Troy is missing his larynx and has a voice box; Britta has a blue streak in her hair; Abed discusses how they can go to the prime timeline and make their evil selves part of the prime; Jeff storms out with Britta and Shirley.

Exit Timelines
Troy and Abed are sitting in their pajamas in their apartment watching television and eating popcorn; Abed is aware that something is different but doesn't know what, then dismisses the feeling.

So what does it all mean? Apparently Jeff is the personality that stifles their fun. Troy and Britta are one talk away from either a great friendship or falling for each other. Annie has a father-like crush on Jeff, who himself is hot for her but doesn't want the obvious attraction reasons to be so obvious. Pierce still wants to be appreciated. Shirley feels like an outsider and tries too hard to seem significant to the group. Abed is a genius... but we already knew that!

What did you think? What did you take away from the episode?

Oh and if I had to rate it...

98 out of 100!



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11 October, 2011

Bored to Death Season 3 Premiere!


Yes! One of my favorite shows is back and more killer than ever!

HBO can sometimes do no wrong... and other times literally bore you to death (like BOARDWALK EMPIRE does to me for at least half of every episode... holy shit, can you fuckers give it any more undeserving Emmy's, Academy?).

BORED TO DEATH was a show that I didn't initially love but stuck with because I felt there was something very intriguing about it. And am I ever glad I did! Anyway, here are my highlight moments of the season 3 premiere. If you didn't watch it, get to it already.

The episodes opens up with an exciting spin-o-rama of knives! A great way to introduce a new season. It is either unique or I just haven't seen it done before.

At a book signing, to someone who has just dropped his book in front of him:

JONATHAN
Who should I sign it to?

GUY
Just sign it, kid.

JONATHAN
[signs "KID" on the inside cover and underlines it]

After announcing to the gathered crowd of fans that she is his biggest fan, his mother says: "He was a 10-month baby. He didn't wanna leave!"

At dinner, Jonathan tells his friends that Ray has a reason to celebrate. George excitedly asks him if he got a job, to which Ray responds "No, nothing terrible like that." The delivery is perfect. This is truly Zach Galifianakis' best character ever.

That line I just mentioned above is followed by:

RAY
Remember the, ahh, lesbian couple of Ditmas Park that got pregnant from my stolen sperm?

GEORGE
Yes, that was and still is very memorable.

Jonathan's mother is of course very confused.

MOM
But I don't understand. Your sperm was stolen? Did they take it from you while you were sleeping?

RAY
[Quietly outraged] No, I put it in a cup.

MOM
[Confidently] And they stole the cup.

Jonathan explaining to his mother that he can afford the incredible apartment he is in because the rent is low due to a giant clock on the building front trembling it once an hour. "It's like living in California, but in Brooklyn."

Jonathan's parents, inspired by Ray's sperm theft story, reveal to him that he is a sperm-donor baby. When he meets up with George later, Jonathan states plainly "And so I come from a sperm bank in Fairlawn, New Jersey." Having been to Fairlawn a number of times, a benign town if there ever was one, it made me laugh. Go figure.

When Ray meets his sperm-baby, he does so wearing the Super Ray costume. Why? He wants to seem heroic.

Ray's first attempt to get a stroller through a door is slap-stick perfection.

George's meeting with his daughter, who he hasn't seen in 2-years, is a train-wreck.

When Ray can't get his boy to stop crying, he calls his mother for advice. She tells him to put whiskey on a nipple. When he can't find an inorganic one, he pours whiskey on his own and quiets the child naturally. It is both uncomfortable and hilarious to watch.

Jonathan wakes up on the floor of a hotel room after being knocked out while on a case. He has a gun in his hand, his pants down to his ankles, and a dead body on the bed with a gunshot to his head. Noticing the gun he whispers "I've been framed!" Followed loudly by "Why are my pants at my ankles?!"

His panicked attempt at wiping the gun clean of his fingerprints results in him shooting the corpse in the torso. Jonathan is horrified. "OH MY GOD! I'm sorry! Are you OK?!"

Ray's need to be validated by his infant son as Spencer's mother rolls him out in a stroller is worth watching a couple of times. Just thinking about it now is making me chuckle. "Bye Spencer. Bye Spencer. Spencer... SPENCER!"

When George is brought a phone by Stephen, an employee whose name he can't seem to remember, his drunken haze gives way to mo' humor!

STEPHEN
You have a phone call, Mr. Christopher.

GEORGE
Oh, thank you, Richard.

STEPHEN
It's Stephen, Mr. Christopher.

GEORGE
Oh, I don't know a Stephen.

STEPHEN
No, it's Jonathan!

GEORGE
Oh, thank you, Jonathan. [picking up the phone] Hello, Stephen!

As Ray prepares to have sex with his dearest love he receives a phone call from Jonathan. Right before he picks up the call he aggressively tells her "NO BACKING OUT!"


So what did you think? Did you not watch it? What the fuck is wrong with you?



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08 October, 2011

FRINGE 4.03 - Bored to Death... returns to HBO this Monday!


There comes a time in every young man's life when he asks himself "Do I give a shit about this shit?"

What does that have to do with the latest episode of FRINGE? Probably something but I forgot where I was going with that. More after the jump.

Whatever that means.

I have always found the case-of-the-week bullshit on FRINGE to be at worst holy-fuckin-shit-stupid, and at best almost interesting. So the fact that this season has delivered three wholly useless COTW's, means I find myself slowly disconnecting with the entirety of the grander arc.

Sure, I was happy to see Peter's imprint on the world was still around in episode 1, and to see him literally affecting someone in that world in episode 2, and I was also excited about the affect it was having on Walt in episode 3. But in all those episodes the thrill of this story arc hunt was kneed in the ballzies by filler COTW junk. And I can only take so much of that before it grates on me. In seasons 1 and at least half of season 2, I found myself fast forwarding through episodes because of this issue, but it mostly stopped in season 3 when they found a nice mix of barely dealing with any more COTW's while diving head-first into actual kick-ass too-cool-for-idiots story shit.

And so episode 4.03 made me fast forward... and I don't like to fast forward because eventually my time shifting catches up to live and then I have to watch fuckin' commercials. And when I have to watch fuckin' commercials, that might mean somewhere in the country a Nielsen viewer is watching a commercial too and then I am indirectly responsible for keeping this show on the air!

Fuck that.

If CHUCK has to die, then FRINGE has to die too. It's just the way it has to be.

So... what did I think of this episode that I can qualify numerically for an overall score? I liked the kid actor in the crappy COTW. Usually child actors suck hardcore. But he didn't and it is unfortunate his talents were wasted on this yawnfest of a story. I enjoyed Noble's performance but found Torv to be tiring me out, mostly due to the sequences in which her character served to forward the COTW. That other dude who plays her partner... this must have been his pro bono week since he put zero effort into it. Finally, I did like a few of the Peter flashes and such but why wouldn't Peter realize he was doing that much damage to his father and stop messing with the nutbag, especially while someone was talking to him? I mean, in mid fuckin sentence Peter is interrupting Walter, making him feel extra bit of craycray? What the fuck kind of erased-from-time son is that? What an ungrateful blinky shit! I miss my Pacey Poof but I am put off by him for being such a crappy douche.

Were I to rank this episode from zero to one hundred, zero being pretty shittin' bad and one hundred being kind of awesome, I would give this one....

78 out of 100

Not good enough to watch again. Not bad enough to pretend it never happened.

At least next week we get what no one told me is the best episode of the season so far.

P.S.

I wrote this in a great deal of pain. Feel sorry for me, assholes.



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