This is it guys, the last episode of the season. Or should I say "la saison", since Larry and Leon have found their way to Paris. I wonder who Larry is going to run into in the city of lights that is going to ask him to make an appearance at a fundraiser or some do-goody event, that he'll lie to, saying that he has to be out of town that day, that will ultimately lead him to a new city. Marion Cotillard? Vincent Cassel? Charlotte Gainsbourg? (I'm naming French people that most of you have probably heard of. If I had to name the French equivalent to LD it would have to be Fabrice Luchini but you all would be like WHO THE FUCK?) Anyway, here it goes...the last review for Curb Your Enthusiasm by Babydoll. It's been a mother fucking pleasure.
1. "Larry Vs. Micheal J. Fox" starts off with Larry in Jennifer's (Ana "Schweddy Balls" Gasteyer) apartment. While waiting for her, he meets Greg, her highly effeminate, highly gay, 7 year old son. Thus proving to us all that gayness can begin in the early stages of life, even before you're aware that you want to touch another boy's penis. Greg is FAAAAABULOUSSSSSS. He watches Project Runway, loves FASHION, and he totally gets the esthetic of swastikas. So much so that he wants to bring them back. He loves the way that the lines go up, then down, then straight, it's like, really couture. If ever he decided to go on Project Runway (and with his pillow sham, I'm sure he'd stand a chance), I'm not sure Heidi Klum would go for his Aryan Nation look. Sorry Greg, but unless you change that swastika to stripes, I'm going to have to say "auf wiedersehen". Nevertheless, Larry embraces the little Carson Kressley wannabe and decides to buy him a sowing machine for his birthday. Of course, Jennifer freaks out, accusing Larry of trying to "turn her son gay", but as Larry puts it "it's not like I can get him a football or a baseball". It's Larry's ill-fated destiny: he has the right intentions but they are constantly misconstrued due to their implications, especially if they are (and they mostly are) taboos.
2. Speaking of taboos, Michael J. Fox (or should I say Michael J. FOXY) appears in this episode, and after watching it for the first time, I really wanted to count how many times the word "Parkinson's" was uttered. But I'm lazy, so, I abandoned that endeavor pretty quickly. Foxy plays LD's upstairs neighbor and the two run into each other at Jennifer's bar where she is a background music piano player. If only Sinatra could have heard her play "New York, New York", he would have shushed everyone in the audience as well. LD, wishing to hear her play (and get laid) shushes MJF, leading him to shake his head at Larry as he walks out of the bar. But is it a Parkinson's shake or a pissed off shake? That is the question. And there begins the whole David/Fox face-off. LD believes that Fox's attitude towards him (the soda shake, the stomping on the floor) is all in Fox's plan to piss him off but disguised as being part of his Parkinson's. As he rightly puts it, Fox can't have carte blanche for being an asshole JUST BECAUSE he has Parkinson's. The Parkinson's Pity Party shouldn't keep people from treating him like a normal human being, someone that could ACTUALLY be an asshole. However, the rest of New York doesn't see it like Larry does and at Fox's get together for his foundation, Bloomberg, in a very Trump-esque way, tells LD, le new-yorker, to peace the fuck out of the city (well he didn't say it exactly that way but humor me). Again in LD's defense, the only reason he mimicked a violin player was because he really got Greg a violin. But such is LD's fate. He's misunderstood, even in the city that raised him. It's as if the New York that created Larry isn't that same New York anymore. The times of the politically incorrect David and Allen's of this world might be long and gone. Now, that's just my interpretation, and it is up for debate.
3. Larry however doesn't leave NY because Bloomberg tells him to (like many New Yorkers during Hurricane Irene). He leaves because he doesn't want to help out the sick kids at the hospital with Fox and his wife. Playing put put golf with kids, exposing himself to sickness? Fuck that shit. LD tells Fox that he'll be out of town that day, for two months, in Paris. Thus, leading us to the end of the season: Larry et Leon walking along the streets of a fake Paris, only to end up where it all really began: Larry getting angry with a man for parking in between the lines. But this time, he yells at him in French (le pig parker, or as he should have said le cochon qui ne sait pas se garer...but I won't make an issue out of it). It's LD's calling to call shit out at he sees it, no matter what language it's in, and that is what makes him so FABULOUS.
Babydoll's by the way...
-Greg, aka baby Carson, would totally have won Project Runway if it was "Project Runway: The Third Reich".
-I realized only during this episode that I would fucking KILL to live with Leon Black. No joke. Like, couldn't you just picture it? Not being able to sleep, being totally hungry, and making pasta with pesto at 2 in the morning with Leon talking about dicks? If J.B. Smoove was on a reality show like "Flavor of Love" I'd be the first white bitch to try to get a clock, or in this case, a doo-rag.
-How funny was that doorman when he confronted Larry? He was totally acting like a mob man's bodyguard. Only in New York.
-What is it with every show ending with a mention or a shot in the city of lights? Entourage (SPOILER ALERT), Friends, Sex and the City... Is Paris "IT"? What about London or Rome? I'm not complaining, cos hell, it's flattering to me, but I can't help but wonder why Paris?
-In Jennifer's defense, her son could just as well be European (but he's probably gay).
-Did anyone else think back to Seinfeld's purse episode watching the Greg storyline? (http://www.youtube.com/watch?v=rnKRbEPbItE).
-Thanks for bringing in Aasif Mandvi from Jon Stewart to play the pissed off guy in the elevator. Though, I am upset he didn't sound THAT british. I wanted more English prick attitude out of him.
Curb Your Political Correctness...
-"Is it pissed off or Parkinson's?"
-"Michael J. Fox is going to be Michael J. Fucked up"
-"That shit don't go down in black neighborhoods"
-"Ok, he's pre-gay".
-The best of Greg: "What's a Hitler? A bad man? Oh my god!" - "GET A LIFE JEWS!". It reminds me of the kid in Schindler's list that says "GOODBYE JEWS!" (See Louis C.K. he does a great rendition). Props to the Curb casting director to have found such a great kid actor. I wonder if they had to tell him to "act gay", would he know what that means at such a young age? Or did they just find the gayest looking kid they knew? I wonder, I wonder.
Finally, I'd like to take a second and just say how much this season of Curb made me forget how pissed I was at waiting for a new season to come back. If the writing is always this good, then I don't mind waiting more than a year for new episodes. That being said, I'd like to see a bit more flashbacks. Why is Larry the way he is?